Ongoing and Upcoming
Hollie Brown, The Triumph of Death
Spellerberg Projects, Masur Gallery
119 W San Antonio St, Lockhart TX
Open by appointment (Email)
The first known painting dubbed The Triumph of Death exists as a fresco in the Regional Gallery of Palazzo Abatellis in Palermo, dated around 1446, creator unknown. In 1562, Pieter Bruegel the Elder, inspired by the earlier fresco, painted a 16th century update for his version, also titled, The Triumph of Death.
The third iteration, again titled, The Triumph of Death, is currently underway in the form of a site specific painting and sculpture, by artist Hollie Anne Brown. Cut outs of both 15th and 16th century versions are crudely pasted onto a color field which was previously rendered in a slapstick manner on her laptop.
In 1446 and 1562 a hypothetical answer was proposed to the question, “What happens when we die?” Bruegel and the unknown artist painted an image of death (personified by skeletons) triumphing over humans, with comic undertones. Curiously, neither painting were biblically derived.
Brown’s 2018 version does not propose an answer to this question, rather it honors the beauty of questions remaining questions. Images alluding to the sun and black holes, representing questions of life and alternate dimensions, take a center spot in her two seemingly identical murals, each over 25 feet long and 8 feet high.
On the evening of November 2nd, 2018, the finished version will go on display. Sometime later the murals will be buried in the wall under a few coats of white paint.
About the artist:
Hollie Brown lives in Lockhart, Texas. She received her M.F.A. from the University of California, Riverside, and currently teaches at Texas State University in San Marcos, Texas.
Andrea Wallace, Wig Party
Installation in progress
Spellerberg Projects, Main St Gallery
103 South Main Street, Lockhart TX
Open by appointment (Email)
With this installation Andrea Wallace is exploring wigs as an art form. She’s created an aesthetic expression of color, using wigs.
“Wigs are something I’ve played with for a very long time,” she says, “but this is my first time really focusing on them as a medium unto themselves.”
They’re fun and colorful, enabling a playful state-of-mind.
“When you try on a wig, you don’t look like yourself,” she explains. “And as you get more and more comfortable with the wig, you feel this transformation happen.”
Visitors to the installation are greeted by a colorful wall of wigs accompanied by photographs of drag queens. The artist hopes that the display will draw people into a conversation, and that, if they’re compelled, they’ll even try on some of the different styles and have fun taking selfies.
“I wear wigs anytime I’ve done a self-portrait. I feel more comfortable not being just myself, plain. Having a wig on gives me a space to be more comfortable in front of the camera.”
She encourages people to come with their friends, ’cause having fun with wigs is a great chance to have a laugh; it’s a party!